I recently had the opportunity to go back to the New York Botanical Gardens to teach a 3 day workshop on drawing butterflies. I taught at NYBG for almost 20 years after completing the Botanical Illustration Certification Program. It takes 2 years to complete this disciplined program and I was fortunate enough to live within driving distance to take the courses and eventually teach and direct the program. It opened up a new world for me and helped to build the foundation of my drawing and scientific illustration practices. I moved 5 years ago from New Jersey to Florida, so going back to NYBG was a blast. I thoroughly enjoyed it!
I certainly don’t miss the traffic or congestion of the NorthEast, NY Metropolitan area but I can honestly say I didn’t realize how much I missed teaching there. The students are really fabulous. My dad taught 8th grade English and always thought I should be a school teacher. Dealing with English and kids going through puberty would have made me stark raving mad! I chose to supplement my income as an artist, teaching art to people who really want to learn and that means ADULTS! These students/artists came with all the enthusiasm a teacher could ask for. They were eager to learn and in the 3 days I tried to cover as much information as possible. I love to teach because it forces me to communicate on different levels. I am a visual learner myself and found that not all people learn the same way. I did visual presentations, created handouts, did a lecture or two and did lots of demos. We worked from real specimens as I encourage this. Working from photographs has its limitations. Insect anatomy is crucial in depicting these tiny critters in nature paintings or in scientific illustrations. We also worked with microscopes to give the student the advantage of seeing many underlying structures that are not visible without magnification. My motto is…. ” The more you see, the more you understand which means more you can portray in your art.” Here I am including some of the drawings/paintings that were done in the class with the artists’ names and contact information. Feel free to contact them if you are interested in buying or commissioning a work of art. They were all super!

Idea leuconoe- Rice paper butterfly © Leslie Day Colored pencil on mylar Contact Leslie at: www.leslieday.nyc

Butterfly © Ellen Matusiak, colored pencil on mylar with decorative paper underlay. Contact Ellen at: ellenmatusartist@hotmail.com
If you are interested in learning more about Drawing the Beauty of Nature please visit my section of online drawing and painting classes. If you have an art group or organization that would like to have me come teach please contact me at Mlighthipe@mac.com.
Was the decorative paper underlay for the butterfly just placed under the Mylar for the photographing or was it somehow attached permanently. Really unique touch in my opinion.
Hi Ric,
Thanks for stopping by the blog. The decorative paper is just simply placed underneath the mylar, with one hitch…… The mylar is slightly opaque so the pattern is less obvious than it would be if the mylar was transparent. The other thing that needs to be done is the butterfly is back painted with either white acrylic or gouache paint. This makes the drawing opaque and blocks the decorative pattern from coming through the drawing. I prefer to use gouache because if there is an error it can simply be removed with water. If acrylic is used it can not be removed after it dries. If you have any other questions don’t hesitate to ask. Have you ever tried color pencil on mylar?